essentialsaltes: (Default)
 The Art Thief by Michael Finkel.

True life story of a serial art thief (abetted by his girlfriend) who brazenly lifted things from museums throughout Europe. His motive... to have the objects in his home to appreciate them aesthetically. Ultimately he stole hundreds of items from more than a hundred museums. But the law eventually caught up to him. Unfortunately, his mother (whose must have been somewhat complicit in the whole affair)... augh I can't even write it. No spoilers.

The Golem and the Jinni by Helene Wecker

A satisfying story about a djinn and a golem thrown together in the 19th century melting pot of New York City. Together, they fight crime -- okay, not exactly, but they thwart a magician in his wicked quest for eternal ilfe. One key plot detail requires a really out of character decision, but overall I liked the book and its evocation of a place and time.

Adventure Vol. 1 edited by Chris Roberson

Anthology of pulpy tales of manly manliness. A few get a bit too into unconscious parody. I haven't quite got to the end of it, but standouts include "Eel Pie Stall" by Paul Di Filippo and "Richard Riddle, Boy Detective..." by Kim Newman.

Domestic Manners of the Americans, by Frances Milton Trollope

Based on her lengthy late 1820s sojourn in the United States, Trollope points out everything that's wrong with Americans. Some of the saucier (and/or annoyingly aristocratic) bits from my Kindle notes

I hardly know any annoyance so deeply repugnant to English feelings, as the incessant, remorseless spitting of Americans. I feel that I owe my readers an apology for the repeated use of this, and several other odious words; but I cannot avoid them, without suffering the fidelity of description to escape me.

The total want of all the usual courtesies of the table, the voracious rapidity with which the viands were seized and devoured, the strange uncouth phrases and pronunciation; the loathsome spitting, from the contamination of which it was absolutely impossible to protect our dresses; the frightful manner of feeding with their knives, till the whole blade seemed to enter into the mouth; and the still more frightful manner of cleaning the teeth afterwards with a pocket knife, soon forced us to feel that we were not surrounded by the generals, colonels, and majors of the old world; and that the dinner hour was to be any thing rather than an hour of enjoyment.

Whatever their moral characteristics may be, these Kentuckians are a very noble-looking race of men; their average height considerably exceeds that of Europeans, and their countenances, excepting when disfigured by red hair, which is not unfrequent, extremely handsome.

The total want of all the usual courtesies of the table, the voracious rapidity with which the viands were seized and devoured, the strange uncouth phrases and pronunciation; the loathsome spitting, from the contamination of which it was absolutely impossible to protect our dresses; the frightful manner of feeding with their knives, till the whole blade seemed to enter into the mouth; and the still more frightful manner of cleaning the teeth afterwards with a pocket knife, soon forced us to feel that we were not surrounded by the generals, colonels, and majors of the old world; and that the dinner hour was to be any thing rather than an hour of enjoyment.

in America that polish which removes the coarser and rougher parts of our nature is unknown and undreamed of.

Where the mansion is of sufficient dignity to have two drawing-rooms, the piano, the little ladies, and the slender gentlemen are left to themselves, and on such occasions the sound of laughter is often heard to issue from among them. But the fate of the more dignified personages, who are left in the other room, is extremely dismal. The gentlemen spit, talk of elections and the price of produce, and spit again. The ladies look at each other’s dresses

Many waggon-loads of enormous water-melons were brought to market every day, and I was sure to see groups of men, women, and children seated on the pavement round the spot where they were sold, sucking in prodigious quantities of this water-fruit. Their manner of devouring them is extremely unpleasant; the huge fruit is cut into half a dozen sections, of about a foot long, and then, dripping as it is with water, applied to the mouth, from either side of which pour copious streams of the fluid, while, ever and anon, a mouthful of the hard black seeds are shot out in all directions, to the great annoyance of all within reach. 

The whole people appear to be divided into an almost endless variety of religious factions, and I was told, that to be well received in society, it was necessary to declare yourself as belonging to some one of these. Let your acknowledged belief be what it may, you are said to be not a Christian, unless you attach yourself to a particular congregation. But should the federal government dare to propose building a church, and endowing it, in some village that has never heard “the bringing home of bell and burial,” it is perfectly certain that not only the sovereign state where such an abomination was proposed, would rush into the Congress to resent the odious interference, but that all the other states would join the clamour, and such an intermeddling administration would run great risk of impeachment and degradation.


This is the only feature in American society that I recognise as indicative of the equality they profess. Any man’s son may become the equal of any other man’s son, and the consciousness of this is certainly a spur to exertion; on the other hand, it is also a spur to that coarse familiarity, untempered by any shadow of respect, which is assumed by the grossest and the lowest in their intercourse with the highest and most refined. This is a positive evil, and, I think, more than balances its advantages.

“let us pray,” they all fell on their knees; but this posture was soon changed for others that permitted greater scope for the convulsive movements of their limbs; and they were soon all lying on the ground in an indescribable confusion of heads and legs. They threw about their limbs with such incessant and violent motions, that I was every instant expecting some serious accident to occur. But how am I to describe the sounds that proceeded from this strange mass of human beings? I know no words which can convey an idea of it. Hysterical sobbings, convulsive groans, shrieks and screams the most appalling, burst forth on all sides. I felt sick with horror. As if their hoarse and over strained voices failed to make noise enough, they soon began to clap their hands violently. The scene described by Dante was before me:

I am very far from intending to advocate the system of slavery; I conceive it to be essentially wrong; but so far as my observation has extended, I think its influence is far less injurious to the manners and morals of the people than the fallacious ideas of equality, which are so fondly cherished by the working classes of the white population in America. That these ideas are fallacious, is obvious, for in point of fact the man possessed of dollars does command the services of the man possessed of no dollars; but these services are given grudgingly, and of necessity, with no appearance of cheerful goodwill on the one side, or of kindly interest on the other. I never failed to mark the difference on entering a slave state. I was immediately comfortable, and at my ease, and felt that the intercourse between me and those who served me, was profitable to both parties and painful to neither.

I remarked that it was not very unusual at Washington for a lady to take the arm of a gentleman, who was neither her husband, her father, nor her brother. This remarkable relaxation of American decorum has been probably introduced by the foreign legations.

I speak solely of the very singular effect of seeing man after man start eagerly to his feet, to declare that the greatest injury, the basest injustice, the most obnoxious tyranny that could be practised against the state of which he was a member, would be a vote of a few million dollars for the purpose of making their roads or canals; or for drainage; or, in short, for any purpose of improvement whatsoever.

I went to the Chesnut Street Theatre to see Mr. Booth, formerly of Drury Lane, in the character of Lear, and a Mrs. Duff in Cordelia; but I have seen too many Lears and Cordelias to be easily pleased; I thought the whole performance very bad. nor was there more decorum of demeanour than I had observed elsewhere; I saw one man in the lower tier of boxes deliberately take off his coat that he might enjoy the refreshing coolness of shirt sleeves; all the gentlemen wore their hats, and the spitting was unceasing.

There is a strong feeling against the Irish in every part of the Union, but they will do twice as much work as a negro, and therefore they are employed. 

most moral people upon earth.” Again and again I have heard this asserted, not only in conversation, and by their writings, but even from the pulpit. Such broad assumption of superior virtue demands examination, and after four years of attentive and earnest observation and enquiry, my honest conviction is, that the standard of moral character in the United States is very greatly lower than in Europe.

At sixteen, often much earlier, education ends, and money-making begins; the idea that more learning is necessary than can be acquired by that time, is generally ridiculed as obsolete monkish bigotry;

Other nations have been called thin-skinned, but the citizens of the Union have, apparently, no skins at all;

So deep is the conviction of this singular people that they cannot be seen without being admired, that they will not admit the possibility that anyone should honestly and sincerely find aught to disapprove in them, or their country.

A single word indicative of doubt, that any thing, or every thing, in that country is not the very best in the world, produces an effect which must be seen and felt to be understood. If the citizens of the United States were indeed the devoted patriots they call themselves, they would surely not thus encrust themselves in the hard, dry, stubborn persuasion, that they are the first and best of the human race, that nothing is to be learnt, but what they are able to teach, and that nothing is worth having, which they do not possess.

The Genesee fall is renowned as being the last and fatal leap of the adventurous madman, Sam Patch; he had leaped it once before, and rose to the surface of the river in perfect safety, but the last time he was seen to falter as he took the leap, and was never heard of more. It seems that he had some misgivings of his fate, for a pet bear, which he had always taken with him on his former break-neck adventures, and which had constantly leaped after him without injury, he on this occasion left behind, in the care of a friend, to whom he bequeathed him “in case of his not returning.” We saw the bear, which is kept at the principal hotel; he is a noble creature, and more completely tame than I ever saw any animal of the species.
essentialsaltes: (Default)
 Never Let Me Go, by Kazuo Ishiguro

Given how much I enjoyed Klara and the Sun, this was a disappointment. Some good character studies as a cohort comes up in school and then leaves for 'the real world' as alliances and friendships and petty cruelties shift back and forth. But that's about all it is. Maybe that's enough. An additional layer of dystopian horror (to which our protagonists are largely blind) is almost irrelevant.

Miskatonic Missives
, by the HPL Historical Society.

I ponied up for the kickstarter for this matched set of volumes exploring 3 letters from HPL to Duane Rimel, Barlow (his future literary executor) and Robert E Howard. They are a sui generis take on presenting the letters, sortofa printed/illustrated attempt at a hypertext. Short stories mentioned by Lovecraft are printed in full or part later in the volume. Covers of magazine. Maps of places visited. Occasional commentary. Glosses. News clippings related to mentioned events. At its best, it's like soaking in 1934, giving more context and color to the world from whence the letters come. Additionally, a fourth volume of loose ephemera includes postcards, bus tickets and other tangible goodies. All the art and presentations throughout have the kind of production values one would expect of the HPLHS.

At the same time there are some minuses; it's a little hard to navigate the book. In principle it's no worse than looking at end notes rather than footnotes, but when some of the 'notes' are complete 20 page short stories, it's very different in practice. Of course, there are always going to be questions about editorial choices, but I think the most egregiously gratuitous one was an idle reference to Bob Howard about fisticuffs being 'linked' to a 1930s brochure for self-defense classes. The brochure was authentic and historical, but it had no earthly connection to either man.

The Count of Monte Cristo, by Alexandre Dumas (père)

Chosen for the work book club, but we maybe should have noticed it runs to 1000 pages. I'm reading it via a free e-book from Project Gutenberg. The translation is very readable, but it doesn't seem to have much verve. I don't know if that's the translation or the work itself. I may slowly push my way further on, but my interest has waned.

The UMBRAL Anthology of Science Fiction Poetry

UMBRAL was (I gather) a journal edited by Steve Rasnic Tem in the 70s and this anthology of poetry that appeared in it was published in 1982.

A lot of it is free verse and flutters past my glazed eyeballs without leaving much impression. One definite exception is Thomas Disch's "On Science Fiction", which seems to balance the warring feelings of "Fans are Slans" and the lack of self-confidence among science fiction fans. Fans are simultaneously better than and inferior to everybody else. A few other good ones, but that Disch poem stand out. And I guess I have good taste -- it won the Rhysling Award in 1981. Most of the poets are unknown to me, but a few (like Disch) are familiar names from science fiction.

Aha, found "On Science Fiction" reprinted here in a collection of Rhysling winners.
essentialsaltes: (quantum Mechanic)
The Empire of Ice Cream collects 14 of Ford's stories, including the Nebula-winning title story. (Hmmm... i was unaware until just now that there is a semi-famous poem The Emperor of Ice Cream from 1922 by Wallace Stevens.) Great stuff in here, although many of the stories just drift along aimlessly, and seldom resolve. Some of the stories are laden with nostalgia of a very specific childhood; while effective, I had a strange feeling of eavesdropping on someone else's nostalgia. I think my favorites were "A Night in the Tropics", the titular story, "A Man of Light", and "The Weight of Words".

How To by Randall Munroe (of xkcd fame) is another tome in the style of his What If, but asking and answering slightly different questions (as the title suggests).

The chapters take on seemingly sensible questions "How to Dig a Hole" "How to Take a Selfie" "How to Be on Time" and then taking the suggestion to various ridiculous (but well researched) extremes. For instance, you can gain an extra nanosecond of time, if you moved a giant ball of lead near all of the atomic clocks that regulate time on earth due to the gravitational effects on local time. Good breezy fun that occasionally stimulates some thoughts you might never have otherwise thunk.
essentialsaltes: (eye)
Five Strokes to Midnight is a World Fantasy Award nominated anthology of horror/dark fiction stories by five authors: Gary A. Braunbeck & Hank Schwaeble (which duo also edited), Tom Piccirilli, Deborah LeBlanc, and Christopher Golden. Each contributed two or three stories, loosely bound to a theme particular for each author. All pretty good stuff, many with a vein of deep personal emotion -- as a robot, this is not always my thing, but here it is handled generally really well.

The book starts out strong with Piccirilli's "Loss", as some out-of-left-field fantastic elements add some mystery to the regret. Tom's second story seems overlong, but now that he himself is gone, I'll take all the words I can get.

Leblanc's Curses gives us some vivid pictures of backwoods Louisiana - voodoo and worse.

Schwaeble's "Bone Daddy" is an agreeably nasty bit of work -- Lap dances for liches never turn out well.

Golden's Folklore stories take on Lost Miners, Goat Suckers and Ghost Trains. The last of which ends with a satisfying note that helps you close the book without shuddering.

---

The Adventures of Tom Bombadil and Other Verses from the Red Book collects a few of the longer verses Tolkien used in the Lord of the Rings, some related poems not in LotR, and others.

Many of them are rather somber in tone, while others are quite, well, Tom Bombadilly.

"The Mewlips" is delightfully creepy

The Shadows where the Mewlips dwell
Are dark and wet as ink,
And slow and softly rings their bell,
As in the slime you sink.
...

And how can I not love "Cat"?

The fat cat on the mat
   may seem to dream
of nice mice that suffice
   for him, or cream;
but he free, maybe,
   walks in thought
unbowed, proud, where loud
   roared and fought
his kin, lean and slim,
   or deep in den
in the East feasted on beasts
   and tender men.
...


His love of internal rhyme is on full display here, something I often find appealing.

The art by Pauline Baynes is amusing, hearkening to medieval illustrations, but it makes for a good segue into my last little review

----

Eye of the Beholder: The Art of Dungeons and Dragons

This is a documentary film about the artists behind some of the iconic images of D&D. In many ways, it is exactly as nerdy as it sounds. As a documentary, it's maybe not the best, but there are some neat insights, and plenty of dragons (and dungeons) on display.

Once upon a time, a lot of fantasy art looked like Pauline Baynes work -- somewhat tame. And then Frazetta and Vallejo showed up and went bonkers. D&D artists all wanted to be Frazetta and Boris. And this is their story.

It's interesting to see some of the inside history of how TSR grew, and went from amusing (and sometimes somewhat crudely executed) B&W images done on the cheap, and quickly turned into big colorful professional works. And then (to my eye) it drifted into something very 'corporate'. Alas, I think this final phase has, as the film I think correctly points out, informed a lot of current fantasy art (from novels to film to videogames to everything) making it derivative of a particular TSR corporate look. I mean it's commercial art, so it is what it is. And the stuff I'm nostalgic for was commercial art as well. But that original Players Handbook cover, which is rightly lauded in the documentary, just sets you thinking in exactly the right way to explain the game.

What just happened? Who are these people? What are they doing? Some people are doing this, and other people are doing that, and then there's those people over there --  what is going on? Did the lizard things live here and worship here? What's going to happen when they pop that jewel out? What will they do then?














essentialsaltes: (dorian Gray)
Deep context: my conviction that Sam Harris is an idiot, and his idea of finding an objective measure of wellbeing is misguided from the outset. Making morality objective is like trying to make aesthetics objective -- it's just a fake way of baking in your own subjective opinions and declaring them objective.

Pull-quote:

The simplest explanation for biased algorithms is that the humans who create them have their own deeply entrenched biases. That means that despite perceptions that algorithms are somehow neutral and uniquely objective, they can often reproduce and amplify existing prejudices.

Headline: A beauty contest was judged by AI and the robots didn't like dark skin

Article also has a relevant link to a related story:

"To take just one example, judges, police forces and parole officers across the US are now using a computer program to decide whether a criminal defendant is likely to reoffend or not. ... If you’re black, the chances of being judged a potential reoffender are significantly higher than if you’re white. And yet those algorithmic predictions are not borne out by evidence.
...
The big puzzle is how the bias creeps into the algorithm. We might be able to understand how if we could examine it. But most of these algorithms are proprietary and secret, so they are effectively “black boxes” – virtual machines whose workings are opaque. Yet the software inside them was written by human beings, most of whom were probably unaware that their work now has an important moral dimension."
essentialsaltes: (herbert West)
del Toro LACMA

Really nice collection, organized into little themed areas.

Most of the items are from del Toro's collection, but there are a few from LACMA itself:

del Toro LACMA

As creepy as the many life-size life-like statues are, I did like the Ray Harryhausen tribute:

del Toro LACMA

There were also a small number of metal sculptures Ray himself had made.

del Toro LACMA

Speaking of statuary, got to see Bryan's work -- someday I'll get to the other big bust in Providence:

del Toro LACMA

Arthur Rackham original!

del Toro LACMA
essentialsaltes: (dead)
Bicycle safety - "The cyclists who ignore the advice end in a pool of blood, crushed by a truck and, in one case, apparently dead."

Don't date foreigners - "The scholar, named Dawei or David, showers her with compliments, red roses, fancy dinners and romantic walks in the park, and convinces the girl to provide him with internal documents from her government propaganda workplace."
essentialsaltes: (wingedlionbook)
Swann's auction catalog of Art, Press, & Illustrated books has some pretty unique things.

A curious edition of Flatland, published by the Arion Press, with an introduction by Ray Bradbury. It's printed on 56 accordion folded pages (so you can lay out the whole text... flat) and housed in an aluminum case.



If that's not wacky enough... The Robin Book:



If that's not pretty enough, then how about the Kelmscott Press (William Morris) Works of Chaucer:



If that's not racy enough, imagine having to compose a properly dry auction catalog entry for this:

"An unusual, unexpected, and very erotically graphic publication that touches on all manner of taboos and the employment of otherwise innocent items like pickles."

Ojai

Aug. 9th, 2015 12:37 pm
essentialsaltes: (space invader)
We made a snap decision to take a road-trip. We started off in San Marino, hitting an estate sale where Dr. Pookie picked up more uranium glass.

Then out to Ojai.

The Post Office:

Ojai Post Office

There is a ladder to the tower, but the door is locked. A sign says you climb at your own risk.

We had a nice lunch at Suzanne's Cuisine. Possibly inspired by the recent potato chip tasting at work, I opted for the Reuben sandwich (my least unfavorite of the four flavors).

The Museum has some historical doodads and taxidermed animals. One thing that caught my eye was a jug of Pixo Cola concentrate from the Pixie Flavor Base Co.

Pixo Cola

The address on the jug is on Vernon, less than ten blocks from our house. Sadly, the only thing I can learn about the Pixie Flavor Base Co is that it got in trouble with the FDA in 1943 for adulterating/mislabelling orangeade concentrate. "On October 5, 1943, no claimant having appeared, judgment of condemnation was entered and the product was ordered destroyed or delivered to some charitable institution."

But there was also a temporary exhibit of items from Sergio Aragones' personal comics collection. Not of his own work, but the work of others, much of it signed personally to him. Aragones is now a local resident, and actually next Saturday (and again on Sep 19) you can tour the exhibit with him for a mere $25.

I was impressed by it, but I'm sure my comic book fan friends probably would have gone bananas.

Bob Kane

autograph/sketch books

We stopped at Bart's Books, which is a local institution. Didn't buy anything, but it's got a lot of stuff packed into a crazy space. A house that's been eaten by a bookstore. Books on the exterior walls just stay there, and you're advised to drop coins in a slot to pay for them after hours.

Bart's Books

We did a wine tasting and an olive oil tasting, and came away with bottles of both. And then pointed the car home. PCH was probably not a good choice on a summer beach day, but it was made worse by an accident that shut things down for a bit. Still more interesting than either the 101 or going back the way we came.
essentialsaltes: (poseidon)
All 50 Chapters!

I liked the parts where these old Yehudis tolchock each other and then drink their Hebrew vino, and getting onto the bed with their wives' handmaidens. That kept me going.

A faithful (so to speak) adaptation, and remarkably restrained, given much of his other work. Sure, every woman typifies his ideal proportions, but they mostly have clothes on, and the sex scenes are hardly gratuitous, though the adult supervision warning on the cover is justified.

The pictures force you to slow down, and think about some of the weird stuff going on, and some of the pictures may help to draw the weirdness to your attention. Why exactly is Abraham pretending his wife is his sister, so he can prostitute her not once, but twice? Crumb actually addresses this in his afterword, suggesting that this was some remnant of a hieros gamos-type ritual, in which Sarah plays a role as goddess to cement a relationship with these political leaders. Anyhoo.

Or other things like Jacob and Laban, where the two basically take turns screwing each other (in the business sense), including bonus magic, as Jacob uses striped sticks to produce stripe-y sheep and goats.

I mean, yeah, yeah, Adam & Eve & the Flood is all great, but why don't we ever hear about the animal husbandry of stripe-y flocks?

This sat on my amazon wishlist for a long time. And now I have it so that I can...

✓graphic novel
essentialsaltes: (cthulhu wreath)
An incomplete, long-delayed compilation of our Xmaholisolstizaah cards over the years.

Yggdrasill
essentialsaltes: (city Hall)
St. Vibiana's, which did NOT get illegally knocked down, is now open as a wedding venue.



More importantly(?), the cardinal's residence is now Neal Fraser's restaurant, Redbird (get it?). Not a lot of info as yet, but he also does the menus at Vibiana.
essentialsaltes: (wingedlionbook)
I've started reading On the Map, and there have been some lovely things, like the Hereford Mappa Mundi, and some awesome work by the monk Matthew Paris. There's a lovely road map by him (the AAA Trip-Tik of its day) that shows the journey from London to Jerusalem in various stages, and there's even some neat little flaps that fold out for more info. And I'm delighted to see that the book/map has been scanned by the British Library, so you can navigate it yourself. Be sure to flip forward a bit to see the map of England.
essentialsaltes: (nazgul)
No, not the film. Aaron McGruder's (and Reginald Hudlin's and Kyle Baker's) comic novel from a decade ago. It sat on my amazon wish list, and then it became unavailable, and then some years passed, and then I bought it cheap on eBay.
Glad I got it cheap, because I found it pretty disappointing. Not very satirical, not very funny, and not very well-executed really... it's clearly a slightly warmed over failed storyboard for a film that was never made. While ordinarily I might curse at a world where Tyler Perry can get greenlit and McGruder can't, I wouldn't have greenlit this either. Perhaps most interesting (in light of recent events) is Hudlin's Foreword describing life in East St. Louis back in the day (and the elements of that that show up in the story) like throwing your trash bags on the roof during a lengthy garbage strike so the feral dogs didn't get at them.


Shadow of Mordor was fun but started to overstay its welcome. I'm not sure whether to feel cheated or relieved that the final final big boss battle is a few "punch the button flashed on screen" kind of exercises that's over pretty quickly. Lots of orc killing fun, and I appreciate some nerd-level Tolkien detail that goes into the story and details.

The gameplay is sort of a ramped-up evolution of the Arkham/Batman gameplay of sneaking and fighting, with added bows and mounted warfare and monsters.

Although I don't know whether it really added much to the experience, I did like the way you could sort of check out the orc's org chart.
essentialsaltes: (arkham)
Dr. Pookie noticed Edwin Henry Landseer's "Man Proposes, God Disposes," painted in 1864. It's quite a striking painting.

Despite the title, the complete lack of tentacles, and being painted decades before Lovecraft's birth, I think there's a hint of the Lovecraftian here, in the illustration of the futility of man in the face of the uncaring universe, even with the benefit of our feeble science, represented here by the telescope. This is not a celebration of the heroism of those who risk their lives in exploration, but a scene of horror at their failure.

The painting depicts the aftermath of John Franklin's last expedition to the Arctic, which led to the deaths of the entire complement of 129. Obviously, "At the Mountains of Madness" also deals with a failed polar expedition, and to make an extremely tenuous connection, the fictional expedition passes Franklin Island, named after John Franklin.

To get even more tenuous, the story also mentions Mount Erebus and Mount Terror, two volcanoes in Antarctica. The mountains are named after the ships used by James Ross in his polar expeditions, and later used by the doomed Franklin expedition. The remains of HMS Erebus have recently been found.

The painting now hangs in a university hall in London, where (on test days) it is covered by the Union Jack to avoid spooking the students.

Recent graduate Michaela Jones was told that a student during an exam had stared directly into one of the polar bears' eyes. Trance-like, the student had then gone "mad" and killed herself - although not before etching the words "The polar bears made me do it" onto her exam paper.


( Friendspage breaking giant image back here )
essentialsaltes: (Titan)
A handsome book that mixes art and math. Maor is a historian of mathematics, and Jost is an artist. Together, they fight crime. Er, no. Together, they explain and illustrate a number of geometric (and broader mathematical) ideas. These kind of math/art mashups tend to be kind of lame, but this book has a pretty good batting average of art that does a good job of communicating or exhibiting mathematical ideas. Many familiar faces, from Euclid to Fibonacci to Sierpinski. But also a number of new things to me. Like Steiner's Porism, which would take me too long in words to describe, so I will leave an enigmatic GIF:



And one different way of looking at things. We all know(?) that the stars on the US flag are arranged in alternating rows of six and five. 6 + 5 + 6 + 5 + 6 + 5 + 6 + 5 + 6 = 50.

But if you look at the field at a 45 degree angle, you can see it as a sorta triangle of the odd numbers 1 + 3 + 5 + 7 + 9 = 25 (*) stars, sitting on top of the same thing flopped over.



(Teaser PDF with a few chapters.)


(* note in passing -- the sum of the first N odd numbers is N^2.)
essentialsaltes: (Titan)
LACMA has a fine exhibit on German Expressionist film, with lots of behind the scenes production art, stills, posters, and other material. Loops of several films also play in inviting walkthrough areas of the exhibit. You don't feel like you have to stay for the whole show, or that you will annoy anyone by staying a moment and passing on.

Lots of good material on the Cabinet of Dr. Caligari.

Concept Art, Cabinet of Caligari

Die Nibelungen

Dragon from Lang's Die Nibelungen

M

Trial Scene from M

Metropolis

Metropolis

The Golem, The Blue Angel, Faust, Waxworks, the Testament of Dr. Mabuse...

After the art, a fine meal at Ray's, although the server and the chef paid a lot more attention to a few wealthy donor types. I'm sure it's wishful thinking that the chef would deign to speak with the likes of us, but at least I know what 'sous-vide' means, unlike the wealthy twat you're fawning over. They had a nice menu of drinks inspired by (not German expressionist) films. My Evil Flying Monkey was based on an aviation, natch. The charcuterie plate is just as good as I remember it. And the lamb sausage pizza was fantastic stuff.
essentialsaltes: (NukeHugger)
Scientific American has a remembrance of Martin Gardner [Preview only] on the occasion of what would have been his 100th year.

One detail caught my eye... a story I hadn't heard. In December 1975, 50-something "housewife Marjorie Rice" saw her son's copy of Scientific American, which had Gardner's column on tessellations. Apparently it asked the (open) question of whether there were more pentagonal tessellations of the plane than those known (3 new ones having been recently discovered). Marjorie doodled away at the idea for quite some time, developing her own idiosyncratic notation. To make a long story short, she discovered four hitherto unknown pentagonal tilings of the plane. She contacted Gardner, who put her in touch with mathematician Doris Schattschneider, who verified and publicized the discovery. There are 14 known pentagonal tilings, and one of the others was also discovered by someone inspired by Gardner's column.

It's also adorable that she made art patterns based on pentagonal tilings:

essentialsaltes: (Dead)
This is what 45 looks like.

IMG_2096

[For reference, this is what 40 looks like.]

The comment there about 'Sunday was lazy football watching and pizza making' remains fairly apposite, as here is dinner:

IMG_2099

Prosciutto, broccolini, onion, olives, jalapeño, capers...

Yes, it was very, very good.

But I do not taunt you aimlessly, (maybe).

As I alluded before, a year from today will mark the completion of my 46th year. Twice 23. 23 years (arguably 92) since the events of 23 Skidoo occurred.

So I officially announce 23 Skidoo Times Two. September 13th, 2015 -- hopefully some of you will survive into September 14th.

This live game is not literally a sequel to 23 Skidoo -- especially since only a handful of people 'survived' -- but I'm certainly open to continuing lines.

My basic ideas...

The setting
Date: 1946
Place: Vienna, Austria
Venue: An auction of rare items and curiosae, much of it no doubt liberated by the vicissitudes of WWII.
Characters: to be written by players, and then adapted as needed by moi.
Primary filmic reference: The Third Man. Not that the game will necessarily be anything like this, but you must watch this peerless film, and thank me later.
Theme: Lovecraftian references will no doubt be present, and possibly of primary importance, but not necessarily overpowering. Postwar malaise. Black Market. Greed. Lust. Wrath. Other Deadly Sins.

The game: theater-style live game. In many ways an ode to the Enigma games of yore, but informed by the past few decades.

The players: I hope and trust, a great many of my friends, old and new, from Enigma, Wyrd Con, and beyond.

The details: In general.... TBA.

And so I ask... who's in? Contact me publicly or privately with your ideas, suggestions, concerns, etc.

In some months a more official announcement will appear, but for now this serves as an announcement of intent.



"Appendix D of The Lord of the Rings says that our New Year's Day (January 1) corresponds "more or less" to the Shire's "January 9", and in standard years our September 14 and the Shire's "September 22" [i.e. Bilbo's and Frodo's birthday] both fall 256 days after that date."

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