essentialsaltes: (Default)
Flickr Album

1221 miles in 120 hours

We flew in to Albuquerque late in the afternoon, so we didn't have much time here. We went to the central square, but the town was already rolling up the sidewalk for the most part. We made our way to Sawmill Market for dinner -- a green chile infused French Dip. Pretty good.

The next morning, we drove to Petroglyph National Monument. The hike we took literally abuts against suburbia, but soon gets you out into the wilderness surrounded by piles and hills of black volcanic rock, that (when scratched) shows up lighter. Some of the marks date thousands of years back, but most are from 1300-1700. Interesting, but (like other petroglyphs of our acquaintance) not *WOW* interesting. We also took a short scenic bypass through some areas that give a hint of what the area looked like long ago (before suburbia eats it). We stopped briefly in Corrales to tour the cemetery. Italian and other immigrants from the 19th century.

And then we left Albuquerque and took the longer scenic bypass (NM 14 - The Turquoise Trail) to Santa Fe. Pretty along the way. Tried to stop for lunch in Madrid, but lady bikers had swarmed the town and the cafe. I was nowhere near tough enough looking to get any service from the waitstaff.

In Santa Fe, we spent some time in the central square, and toured the New Mexico History Museum, which also abuts the Governor's Palace, which is also part of the museum. Lots of good artifacts and displays, including a section about Fred Harvey and the Harvey Houses and the railroad in New Mexico. Also a surprise little exhibit of the art of Peter Aschwanden, noted for his work in How to Keep Your Volkswagen Alive.

Dinner was at Restaurant Martin, and was the highlight of the trip, in terms of food. The beet salad (not apt to be a wowser) was a wowser. I particularly appreciated the symmetry of the orange citrus slice on the pink beet and the pink citrus slice on the orange beet. The beef filet and its accompaniments was also excellent.

Next morning we drove out of Santa Fe to Bandelier National Monument (passing near Los Alamos, with a few LANL facilities along the way, including an unexpected radio telescope/receiver that popped out of the landscape). Bandelier is set into a narrow canyon, and the cliff faces were the site of extensive cliff dwellings. Not as impressive as Mesa Verde, but still quite fascinating. We saw lots of deer in the park, including does helping to shelter their fawns as they dashed across the human path.

From there a long drive out to Taos, where we were disappointed to find that the Taos Pueblo is closed for some restoration work. At least we had the consolation of a nice burrito in Taos. From there, back to Santa Fe and then dinner at Geronimo, which topped a few lists of best restaurants in New Mexico. While I have no complaints, now that I am out of New Mexico, I am here to tell you that Restaurant Martin is better than Geronimo. I get the sense that Geronimo has become an institution over its 30 or so years of existence. I liked the addition of wasabi to the caesar salad dressing, and the gnocchi like rice dice 'croutons' were neat. I went for the special, which was short rib. Certainly the short rib was the star of the dish, but there was very little other than that star on the plate. What was there was good, especially the onion puree/reduction.

Next morning we headed south, stopping first in Roswell. We largely avoided the kitschy alien stuff, but you can't entirely. We dropped by the Roswell Museum and Art Center, which had great displays on Robert Goddard, who carried out some of his rocketry experiments in the area. This included his entire workshop's contents, relocated into the museum. The original museum building was built by the WPA, and there was some furniture and a few architectural elements in the new building. Leaving Roswell, we pressed on to Carlsbad, where I enjoyed the green chile infused lasagna at the Trinity Hotel, where we stayed. After dinner, we traveled the 30 miles to the Caverns and settled ourselves into the Bat Flight Amphitheater, which is perched above the natural entrance to the caverns. At dusk, bats became trickling out and leaving in larger groups. Not the huge boiling tornado of bats one might hope for, but still an interesting experience. One bat took a low altitude flight through the seated people for a bonus little thrill. Easy to see his furry little bod close up, but mostly the bats are just dark flappy shapes in the sky.

The next morning we came back to tour the Caverns themselves, taking the elevator down 750 feet to the main chamber. It's astonishing, something like 4 football fields in area. Photos don't quite do it justice, and it's certainly a different experience to be in it, rather than looking at images of it. It's a natural wonder of the world. Fantastic.

From there we drove back through Carlsbad to Artesia, where we hung a left to take road to Alamogordo, passing through some forest and a picturesque pass through the mountains. I realized after the fact that the blinding white patch we could see in the distance as we came down through the pass was White Sands National Park. First some side trips for a nice pollo adovado at Casa de Sueños outside Tularosa and a few tasty minutes spent at PistachioLand (and its world's largest pistachio). White Sands is also an amazing place, but having seen Carlsbad Caverns that morning, it was a distant second. The gypsum sands feel smooth and cool, and drift into dunes with little ridge patterns. From there on to our hotel in Las Cruces for some well earned beer after a long thirsty day.

Next morning, we swung by the world's largest chile pepper, before turning the car north back to Albuquerque. The exit at Hatch was closed, but we did get a good green chile burger at the Owl Bar & Cafe (that both of us kept calling the Owlbear Cafe) in San Antonio. Also in that area is the Bosque de Apaches Wildlife Refuge, a notable spot for birders, and even we managed to spot some geese and ducks as we drove by. 

Then back to the airport and home.

essentialsaltes: (eye)
Picked up at an estate sale for cheap, this book is a history of LA, told primarily in archive photographs from the 19th century up to 1950. Lots of good ones here, most of which I don't recall having seen (and many I'd like to show you all, but can't find online).

This is not the same image as in the book, but gets the point across.

"A favorite but brutal betting sport of the early 1850s and later was the correr el gallo. The roosters, their necks well greased, would be partially buried in the earth alongside a public road, with only their throat and head showing. Then riders on fast horses would dash by at full speed and try to grab the roosters and pull them out."




Read more... )
essentialsaltes: (pKD)
A few images from the pulps I picked up at an estate sale.

Listerine to guard against Infection Dandruff!
essentialsaltes: (essentialsaltes)
to the best 120 photos

The last photo on that page is the first taken, and so on back through them. If you hit slideshow, you'll have to change the options to reverse direction, and then scroll to start at the very last (i.e. first) picture. Or failing that, just pretend my trip went the other way.
essentialsaltes: (Eye)
2012 Danube River Cruise

452 photos. So far with captions through Budapest.

Still to come:

-remaining captions
-bestof tag
-travel journal

ETA: Video of the Astronomical Clock in Prague striking the hour.
essentialsaltes: (SAN loss)
And thanks to [livejournal.com profile] richardabecker for bringing this to my attention.

essentialsaltes: (Nowtheysmell)


Mitchum gets 2 months for marijuana.
Lila Leeds seems more concerned.
essentialsaltes: (City Hall)
LA just before WWII. Nice shot of Westwood when the Ralphs was a Ralphs. The photos were taken for an article on the aviation industry in LA, so note the Lockheed building in the shot of the train. I think that's the Skunk Works before the Skunk Works were the Skunk Works. Skunk Works.


Olympic Trailer Park, Santa Monica. Then...

and the Village Trailer Park now:

"Built in the mid-20th century as a camp for vacationers and weekend beach visitors, the 109-space Village Trailer Park just might give way in the name of progress.

The owner wants to redevelop the nearly 4-acre site with residential units, offices and shops. But tenants have urged the city to consider buying the property, valued at as much as $30 million.

Longtime residents and other community activists are pleading with the city to deflect developers and preserve the quiet outpost off Colorado Avenue."
essentialsaltes: (empathyormurder)



Yes, I'm only posting these because they remind my of my icon.

Wind

Dec. 1st, 2011 01:24 pm
essentialsaltes: (Herbert West)
The rent sign out front of the office building snapped a leg.



Also, the bosslady (who works late) was here when the lights went out around LAX. She stumbled around in the dark, and managed to maul the doorblinds like a cat on nip trying to find the keyhole, so she could go out and get the flashlight in her car. Poor thing.
essentialsaltes: (Eye)
I'm a big fan of Academy Award winning documentarian Errol Morris, so I was curious to see his book, Believing is Seeing.

The book comprises a half dozen or so intense investigations into a particular photograph. The questions that preoccupy him are "What can be learned from the photograph?" and "Is the photograph true?"

This inevitably leads to the question, "What the heck does it mean for a photo to be true?" Or fake, or false? Sometimes, but only seldom, this winds up being dormroom philosophy; other times it's really quite thought-provoking. And some of the research involved is something only a monomaniacal madman would attempt, like travelling to the Crimea to find the exact location where a photo from the Crimean War had been taken 150 years ago. The same kind of monomania shown by his subjects in Fast, Cheap and Out of Control.

It looks like these may all have been essays written originally for the NYT, so you can possibly read them all online. One example is the Mickey Mouse in Rubble, taken by Ben Curtis, showing the toy in the street after an Israeli airstrikes against Hezbollah in Tyre, Lebanon.

At the time, I can remember there were lots of accusations of shenanigans. That the photo had been staged, the toy moved, etc. Morris interviews the photographer extensively, and he seems honest and straightforward and believable. But that's almost the least important part of the story.

The people who reacted so violently against the photo were not so much reacting against the particular pattern of colored dots, as against the meaning of the photo. Let's stipulate that the camera accurately recorded the unmolested scene. As I say, that's the least important part of the controversy.

People were upset that the photo was lying, because it implied that Israel had killed Lebanese children. That it is anti-Israeli propaganda.

Is that what the photo is saying?

Furthermore, did detractors of the photo actually know whether or not children were killed in the atttack? Does that even matter, when discussing whether the photo is real or 'fake'? If a child had been injured but not killed, would that make the photo slightly more true?

Morris shows that the same photo was used in an op/ed piece that made the point that Hezbollah was very wicked to use human shields. So is it anti-Israeli propaganda, or anti-Hezbollah propaganda?

It's an interesting and very visual book; a nice melding of scientific/historical research and artistic examination.
essentialsaltes: (SAN loss)
The flickr page for Nightmares Fear Factory, a haunted house outfit, taking beeeyootiful pictures of its patrons. Note my new SAN loss icon.
essentialsaltes: (City Hall)
From Public Photos


This is basically how Chris drove throughout the night.

From Public Photos


There were a couple cars jacked up on hydraulics near the Museum of Death.

From Public Photos


If the sun were directly overhead, this tree would keep the smallest park in Los Angeles County in shade.
essentialsaltes: (burns)
A mere 132 pictures of the Best of Peru 2011.

Photodump

Jul. 5th, 2011 06:05 pm
essentialsaltes: (column)
For the diehards (aka [livejournal.com profile] richardabecker) 427 photos of the trip to Peru, currently without captions or explanations. As and when, I'll provide commentary and a bestofperu tag to reduce the number of photos.

NSFW

Apr. 6th, 2011 02:41 pm
essentialsaltes: (Balrog)
I considered photoshopping this into this, but I'd only feel bad about myself afterwards.
essentialsaltes: (Larpies)
New camera has Beauty Retouch Mode and makeup mode, if you happen to be so unlucky as to leave the house without your face on.
essentialsaltes: (Patriotic)
Geraldine Doyle, 86, dies -- one-time factory worker inspired Rosie the Riveter and 'We Can Do It!' poster

"Smitten with the UPI photo, Miller reportedly was said to have decided to base one of his posters on the anonymous, slender metal worker - Mrs. Doyle."

Profile

essentialsaltes: (Default)
essentialsaltes

May 2025

S M T W T F S
    123
456789 10
11121314151617
18192021222324
25262728293031

Syndicate

RSS Atom

Most Popular Tags

Style Credit

Expand Cut Tags

No cut tags
Page generated May. 28th, 2025 12:52 pm
Powered by Dreamwidth Studios