essentialsaltes: (Default)
 Never Let Me Go, by Kazuo Ishiguro

Given how much I enjoyed Klara and the Sun, this was a disappointment. Some good character studies as a cohort comes up in school and then leaves for 'the real world' as alliances and friendships and petty cruelties shift back and forth. But that's about all it is. Maybe that's enough. An additional layer of dystopian horror (to which our protagonists are largely blind) is almost irrelevant.

Miskatonic Missives
, by the HPL Historical Society.

I ponied up for the kickstarter for this matched set of volumes exploring 3 letters from HPL to Duane Rimel, Barlow (his future literary executor) and Robert E Howard. They are a sui generis take on presenting the letters, sortofa printed/illustrated attempt at a hypertext. Short stories mentioned by Lovecraft are printed in full or part later in the volume. Covers of magazine. Maps of places visited. Occasional commentary. Glosses. News clippings related to mentioned events. At its best, it's like soaking in 1934, giving more context and color to the world from whence the letters come. Additionally, a fourth volume of loose ephemera includes postcards, bus tickets and other tangible goodies. All the art and presentations throughout have the kind of production values one would expect of the HPLHS.

At the same time there are some minuses; it's a little hard to navigate the book. In principle it's no worse than looking at end notes rather than footnotes, but when some of the 'notes' are complete 20 page short stories, it's very different in practice. Of course, there are always going to be questions about editorial choices, but I think the most egregiously gratuitous one was an idle reference to Bob Howard about fisticuffs being 'linked' to a 1930s brochure for self-defense classes. The brochure was authentic and historical, but it had no earthly connection to either man.

The Count of Monte Cristo, by Alexandre Dumas (père)

Chosen for the work book club, but we maybe should have noticed it runs to 1000 pages. I'm reading it via a free e-book from Project Gutenberg. The translation is very readable, but it doesn't seem to have much verve. I don't know if that's the translation or the work itself. I may slowly push my way further on, but my interest has waned.

The UMBRAL Anthology of Science Fiction Poetry

UMBRAL was (I gather) a journal edited by Steve Rasnic Tem in the 70s and this anthology of poetry that appeared in it was published in 1982.

A lot of it is free verse and flutters past my glazed eyeballs without leaving much impression. One definite exception is Thomas Disch's "On Science Fiction", which seems to balance the warring feelings of "Fans are Slans" and the lack of self-confidence among science fiction fans. Fans are simultaneously better than and inferior to everybody else. A few other good ones, but that Disch poem stand out. And I guess I have good taste -- it won the Rhysling Award in 1981. Most of the poets are unknown to me, but a few (like Disch) are familiar names from science fiction.

Aha, found "On Science Fiction" reprinted here in a collection of Rhysling winners.
essentialsaltes: (Default)
reference 

A Poe-em of Passion

IT was many and many a year ago,    
On an island near the sea,  
That a maiden lived whom you mightn’t know    
By the name of Cannibalee;  
And this maiden she lived with no other thought        
Than a passionate fondness for me.  

I was a child, and she was a child—    
Tho’ her tastes were adult Feejee—  
But she loved with a love that was more than love,    
My yearning Cannibalee,        
With a love that could take me roast or fried    
Or raw, as the case might be.    

And that is the reason that long ago,    
In that island near the sea,  
I had to turn the tables and eat        
My ardent Cannibalee—  
Not really because I was fond of her,    
But to check her fondness for me.    

But the stars never rise but I think of the size    
Of my hot-potted Cannibalee,        
And the moon never stares but it brings me nightmares    
Of my spare-rib Cannibalee;  
And all the night-tide she is restless inside,  
Is my still indigestible dinner-belle bride,  
In her pallid tomb, which is Me,        
In her solemn sepulcher, Me.

---

Lummis is quite a figure, particularly in Los Angeles history. LA Times editor, Head of the library, founder of the Southwest Museum, and builder of the Lummis House.
essentialsaltes: (eye)
Five Strokes to Midnight is a World Fantasy Award nominated anthology of horror/dark fiction stories by five authors: Gary A. Braunbeck & Hank Schwaeble (which duo also edited), Tom Piccirilli, Deborah LeBlanc, and Christopher Golden. Each contributed two or three stories, loosely bound to a theme particular for each author. All pretty good stuff, many with a vein of deep personal emotion -- as a robot, this is not always my thing, but here it is handled generally really well.

The book starts out strong with Piccirilli's "Loss", as some out-of-left-field fantastic elements add some mystery to the regret. Tom's second story seems overlong, but now that he himself is gone, I'll take all the words I can get.

Leblanc's Curses gives us some vivid pictures of backwoods Louisiana - voodoo and worse.

Schwaeble's "Bone Daddy" is an agreeably nasty bit of work -- Lap dances for liches never turn out well.

Golden's Folklore stories take on Lost Miners, Goat Suckers and Ghost Trains. The last of which ends with a satisfying note that helps you close the book without shuddering.

---

The Adventures of Tom Bombadil and Other Verses from the Red Book collects a few of the longer verses Tolkien used in the Lord of the Rings, some related poems not in LotR, and others.

Many of them are rather somber in tone, while others are quite, well, Tom Bombadilly.

"The Mewlips" is delightfully creepy

The Shadows where the Mewlips dwell
Are dark and wet as ink,
And slow and softly rings their bell,
As in the slime you sink.
...

And how can I not love "Cat"?

The fat cat on the mat
   may seem to dream
of nice mice that suffice
   for him, or cream;
but he free, maybe,
   walks in thought
unbowed, proud, where loud
   roared and fought
his kin, lean and slim,
   or deep in den
in the East feasted on beasts
   and tender men.
...


His love of internal rhyme is on full display here, something I often find appealing.

The art by Pauline Baynes is amusing, hearkening to medieval illustrations, but it makes for a good segue into my last little review

----

Eye of the Beholder: The Art of Dungeons and Dragons

This is a documentary film about the artists behind some of the iconic images of D&D. In many ways, it is exactly as nerdy as it sounds. As a documentary, it's maybe not the best, but there are some neat insights, and plenty of dragons (and dungeons) on display.

Once upon a time, a lot of fantasy art looked like Pauline Baynes work -- somewhat tame. And then Frazetta and Vallejo showed up and went bonkers. D&D artists all wanted to be Frazetta and Boris. And this is their story.

It's interesting to see some of the inside history of how TSR grew, and went from amusing (and sometimes somewhat crudely executed) B&W images done on the cheap, and quickly turned into big colorful professional works. And then (to my eye) it drifted into something very 'corporate'. Alas, I think this final phase has, as the film I think correctly points out, informed a lot of current fantasy art (from novels to film to videogames to everything) making it derivative of a particular TSR corporate look. I mean it's commercial art, so it is what it is. And the stuff I'm nostalgic for was commercial art as well. But that original Players Handbook cover, which is rightly lauded in the documentary, just sets you thinking in exactly the right way to explain the game.

What just happened? Who are these people? What are they doing? Some people are doing this, and other people are doing that, and then there's those people over there --  what is going on? Did the lizard things live here and worship here? What's going to happen when they pop that jewel out? What will they do then?














essentialsaltes: (internet Disease)
A biography of Ada Lovelace, aka Countess Lovelace, aka the only legitimate child of Lord Byron, aka the eponym of the Ada programming language, aka the Bride of Science, aka the Enchantress of Numbers.

The book spends almost half of its length discussing Ada's parents, Lord Byron and Lady Byron (aka Annabella Milbankee, Baroness Wentworth). This is worthwhile, as it sets up some of the currents that flow through Ada's life, at least in this telling of the story (and I'm in no position to contradict it). Byron of course is the great romantic poet of the age (or any age, possibly), and Annabella was something of a mathematican herself, being called (somewhat cattily by her husband) the Princess of Parallelograms. The two separated shortly after Ada's birth (a certain coolness developed after she learned he was boinking his own half-sister) and it was quite rancorous, and society had to choose sides. On the whole, Annabella got the sympathy of most, while Byron went on being Byron and was soon out of the country, and dead within a few years in Greece.

And from then on, Ada was something of an outlet for Annabella's desire to be the wronged one in the relationship, and simultaneously, Ada had to be protected from romantic impulses, and pushed towards math and science. This worked up to a point, but... well... as a teenager Ada ran off with her tutor... so there were some strong romantic impulses there as well, it would seem.

Ultimately, Ada was found a husband that she didn't have much use for, but produced a passel of children before being pretty remote from her husband. She was further instructed in math by De Morgan, whose wife was among Annabella's coterie, who all spied on poor Ada relentlessly. But getting married got her a bit out from her mother's thumb, and she could pursue her own interests. She became acquainted with Charles Babbage, and it is this association for which she is best known. Babbage gave a lecture on his early computer ideas in Italy, which was published in French. Ada was chosen to translate the published lecture into English. Along the way, and with Babbage's encouragement and help, she added annotations to the lecture that turned out to be twice as long as the lectures themselves. Among these notes were a 'computer program' for calculating Bernoulli numbers that could be run on Babbage's designed (but never built) computer.

For this, Ada is sometimes credited as the first computer programmer. But although the first 'computer programs' were published under her name, there is little doubt that Babbage had provided a great deal of the raw material, if not the entire programs. But more to her credit, in some of her other notes, she seems to have seen quite clearly further into the Information Age than even Babbage, and understood the vast potential and flexibility of the 'computer'. 

Babbage's computer came to nothing at the time, so Ada had no chance to really pursue that, and as things turned out, she had no chance to pursue much of anything. Uterine cancer, laudanum, and fast living led to her death in her mid-30s.
essentialsaltes: (octopus)
I know you meant me no harm, and I much admired your impressive bulk and supermodel legs.

Truly, you must have been a Methuselah or Samson of the Arachnidae!

But no Solomon.

Had you kept in your corner, all might have ended well.

But perhaps distressed by a stray droplet, or pungent steam, or the sight of a hominid,

You ventured out across the ceiling,

Dancing jerkily across gossamer threads that threatened to deposit your magnificence upon my head.

And so you met the fate of many sailors, from the companions of Odysseus to the Ty-D-Bol man.

Transported by the gods upon a magic shampoo bottle, and cast into Charybdis.
essentialsaltes: (cartouche)
Ancient Images starts off promisingly: A film editor tracking down a lost film with Karloff and Lugosi winds up dying mysteriously, and his colleague takes up the charge to find the film and silence the critics who say it never existed. Details emerge... a troubled set... a dead director... powerful figures try to suppress the film both when it was made, and now that new efforts are being made to uncover it. Then it veers off into 'Wicker Man'-esque territory, along with an additional quasi-Irish Traveller or Romany caravan element. The main spooks are seen-out-of-the-corner-of-the-eye types that seem to be endlessly dogging the steps of our main characters, but don't do anything other than make tiny noises and appear in the corners of people's eyes, at least until we get deep into the not very climactic climax.

I was surprised to see that Wiki page for Ramsey lists it as winning the Bram Stoker. So much so that I checked the listing for the Bram Stokers and didn't see it there. Left a note on the Wiki talk.




Skin Job collects a couple dozen poems that riff off films and film-making, or delve into anatomical and medical fixations. Some good stuff here: curious turns of phrase and trails of thought. To tie my two tales together:

Bad timing runs in the family. Karloff
does his best with rotten lines.


From "Made for T.V." (anent Frankenstein 1970, which might be better lost than found.)
essentialsaltes: (arkham)
A slim volume of sinister poetry, probably most famous (among Arkham House collectors, at least) for being printed for Arkham House by Villiers Publications in England. As for the poetry: some good, some bad. Here's my favorite.

Three Sisters

Three lean sisters, of uncertain age,
Lived in a house like a rusty cage.

Amanda embroidered, and fondled her cat,
And went to church in a plum-colored hat.

Theresa baked cookies, and kept a strong box
Of old indiscretions, and babies' locks.

Laura awoke when the house was still
And the moon was round as a quinine pill.

She bloodied her mouth, and gashed her face,
And rode a black hound to the trysting place.


✓book you can finish in a day
essentialsaltes: (nukeHugger)
afterlife 9 is another chapbook of virtes' poetry. These poems are a lot more personal than those from the other secret house -- a fact the afterword confirms. But because they are more personal and somewhat more experimental, I found them much harder to appreciate. At the same time, they are more poignant and meaningful.




I've also been reading a free Edgar Allan Poe download on my Kindle for the past bajillion years. Someone trolled Project Gutenberg (and the like) for free e-texts of Poe's stuff. Which is about what you expect for free. My favorite thing about the book is that some genius editor somewhere somewhen did in fact notice how to spell Poe's middle name correctly. However, in fixing this, he or she went a little overboard, so that the word 'fallen' appears as 'fAllan' about three hundred times.

My second favorite thing is that it has also trolled out everything, including short story anthologies that have one Poe story and another dozen by other writers. Since all the anthologies are in the public domain, it means I've been reading a lot of old short stories. Some are horror collections, some are detective collections, one is a collection of 'puzzle' stories. The text is so long that I've forgotten a billion good short stories already, but I'll mention a couple recent ones.

Not exactly a good story, but the shocking and incredible solution to the mystery, and resolution of the story, is an interesting historical artifact in Fitz James O'Brien's "My Wife's Tempter".

And Mark Twain sure knew how to tear at your heartstrings when he had a mind to, as he did when writing "A Dog's Tale", which was later reissued as a pamphlet by the [Spoiler Alert].
essentialsaltes: (wingedlionbook)
Yes, I'm just getting around to Audrey Niffenegger's bestseller of 2003. It took longer to read than the movie to watch, but it was just as meh. There is something hidden in there, noodling ideas of fate and identity, but it remains hinted at rather than explored, making it unsatisfying, particularly on a page/insight ratio basis.



I also read a slim chapbook of poetry by sc virtes, whom I met at the HPL film fest. the other secret house explores the things (normal and not so normal) that go on in a house when the owners are away (or sometimes there, but asleep). They range in tone from humorous to a bit more thought-provoking. Generally good stuff, and short enough that they don't wear out their welcome before they've gotten the idea across.
essentialsaltes: (That's not funny!)
Speaking of Nazis... I was surprised to find that the English phrase "master race" first appears in a long, long poem from 1855: "The Hireling and the Slave" by South Carolina Representative (as a member of the SC-based Nullifier Party) William John Grayson.

For these great ends hath Heaven’s supreme command
Brought the black savage from his native land,
Trains for each purpose his barbarian mind,
By slavery tamed, enlightened, and refined;
Instructs him, from a master-race, to draw
Wise modes of polity and forms of law,
Imbues his soul with faith, his heart with love,
Shapes all his life by dictates from above,
And, to a grateful world, resolves at last
The puzzling question of all ages past,
Revealing to the Christian’s gladdened eyes
How Gospel light may dawn from Libya’s skies,
Disperse the mists that darken and deprave,
And shine with power to civilize and save.
essentialsaltes: (jasmine)
The faithless Cherokee obeys;
Rich Senegal her Tribute pays;
And Ganges' Tyrant shakes with Fear,
For Vengeance whispers, 'Clive is near.'

From an Ode in honor of George III, by J. Duncombe (in imitation of Horace)
(spotted in The Secret Life of Words: How English Became English)

Do what we say, give us what we want, or we will thump you.
essentialsaltes: (cartouche)
At Louche Ends: Poetry for the Decadent, the Damned & the Abinsthe-Minded is a slim volume of [livejournal.com profile] ladyeuthanasia's Stoker nominated poetry.
It's hard to review poetry. It's hard to review stuff written by people ya know. This is double-hard.
I'm not a big fan of free verse, but the form (or lack thereof) does seem to be a good one for these late-night thoughts. The best of the poems (of which there are more than a few) have the rhythm and music of fine speech. Probably the strangest thing about reading some of these poems is that knowing the poetess occasionally provides some personal insight into them. For other poems I can appreciate the sense and the tone, but I can't help wondering if I might gain a similar personal understanding if I just offered Maria the right drink at the right time and got the right story out of her.

Oh yeah

Sep. 27th, 2011 01:07 pm
essentialsaltes: (Cthulhu)
I got an email order for a copy of the Eldritch Quintuplets. The EQ's were positively mentioned in a review of the HPL FF -- that I didn't even write! -- which I imagine is what brought on this sudden purchase.

If we ignore that present for Dr. Pookie, I made a profit at the fest.

But I guess I need to write more... five or six more film festivals and all my copies of the EQ's will finally be gone.
essentialsaltes: (PKD)
I finished Donaldson's second installment in the Last Chronicles of Thomas Covenant. (Here's my take on book 1)

I was a little disappointed. The pace is glacial; the mysteries remain mysterious. The book is just not very satisfying. On the bright side, Donaldson has, as usual, taught me a few more obscure words (e.g. surquedry).


Also finished Now We Are Sick, an anthology of gruesomely childish or childishly gruesome poems from genre authors. Many of these authors should stick to prose. Plenty of stinkers and ho-hums, and a smattering of good ones. The sole outstanding poem in the mix is Alan Moore's "The Children's Hour". I won my copy on ebay from aaronjv; I can see why he could part with it, though it does contain scribbled notes about a pitch meeting.


On the Ebay fail side, I didn't win the HPL astrology material. I was even part of a tiny syndicate that formed to pool resources to get it, but that failed too. It went for $5,355, a price that strikes me as both 'a bargain in absolute terms' and 'way more than I could justify spending'. And now that ebay anonymizes winners, I don't know whom to mug.
essentialsaltes: (Default)
One of the dead-tree newspapers I walked past on my lunch strut had a headling: "Dieting on a Budget" I was thinking that some enterprising Ethiopian or Bangladeshi could make a lot of money writing a diet book for the current economy. "My people have thousands of years of real-world experience at losing weight during lean financial times. I will unveil our time-honored secrets that will help you lose more while spending less." Maybe a catchy name, like the Marasmus Diet (The Marasmus Diet is a lot more supermodel-esque than, say, the Kwashiorkor Diet).
Anyway... two books )

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